Fighting Writer's Block and Other Literary Ailments
Are the broadcast networks just going through the motions this pilot season? With each having its own streamer, are we seeing the last days of the traditional pilot season? What does this mean for writers? And Tom remembers the days of Saturday morning cartoon pilot season.
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Getting in, staying in and consuming entertainment all take a certain amount of resources. We discuss how to prioritize where you put your time, money and heart into the entertainment industry, both as an artist and as a consumer.
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Our own Rachanee Lumayno takes the hot seat to discuss the release of “Heir of Memory & Shadow” Book #2 of the Kingdom Legacy YA Fantasy series. We discuss was it like writing a second book in a series, self-publishing and marketing the books and what’s next in the Kingdom.
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David Bergantino shares his 30 years of interactive storytelling with companies like Disney and Nickelodeon. David’s company, Cold Room Entertainment, recently released “Dying Light 2.” David is also a novelist with 11 novels, including the novelization of Wes Craven’s “New Nightmare.”
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Amazon has closed its deal to by MGM that it announced in May 2021. How will the purchase of the 98 year old studio impact Amazon Prime, Hollywood, consumers and, of course, writers.
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In this session, we talk with Lauryn Kahn, the screenwriter of “Fresh,” the new indie thriller starring Daisy Edgar-Jones and Sebastian Stan that took Sundance by storm. The film, produced by Adam McKay (“The Other Guys,” “Step Brothers”) and Searchlight Pictures, was acquired by Hulu. SPOILER ALERT! This interview contains pretty much all the big spoilers. So go watch the movie first on Hulu.
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Paul Kalburgi is a British screenwriter, playwright and TV producer, as well as author and podcast host of the book and podcast The Writer’s Toolkit. He discusses his journey as a writer, his process and the tools he uses in his craft.
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This session, we have the multitalented Ken Atchity, a best-selling author, producer, literary manger, professor and editor who aptly goes by the moniker The Story Merchant. He got his B.A. at Georgetown, his Ph.D. at Yale. He was a tenured professor of comparative literature at Occidental College and a distinguished instructor at UCLA Writers program. He’s worked in publishing and filmmaking and is a member of the TV Academy of Arts and Sciences as well as the Producer’s Guild.
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This session, we’re excited to have with us James Vanderbilt, a screenwriter and producer with over 20 years of major feature film experience including blockbusters such as White House Down, The Amazing Spider-Man 1 and 2, and, one of Tom’s favorites, The Rundown. He is also the Chief Content Officer of Project X Entertainment.
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Streaming services have broken the mold on episode length. In this session, we discuss how they’ve changed the measuring stick on script length and where, when and if it still matters. SHOW NOTES: None this episode
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