Our guest this session is screenwriter, YouTuber, and podcaster Tyler Mowery who recently rebranded his YouTube Channel with 266,000 subscribers as “Top Development.” We talk about Tyler’s journey, process and script consultant services. SHOW NOTES:
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In this session we discuss the priorities discuss by the WGA’s negotiating committee as reported in The Hollywood Reporter. SHOW NOTES:
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In this session, we discuss promoting your written works and compare promoting books, scripts, shorts and web series. SHOW NOTES:
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Our future AI overlords have made significant progress since our last episode about AI (Session #134 – Artificial Intelligence in Hollywood). We talk Buzzfeed replacing writers with chatbots, DnD OGL and AI dungeon masters, ChatGPT and its screenwriting skills and more. SHOW NOTES:
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We talk with the creators of the new comedy streaming series “The Game.” Writers/producers/actors Matt Curtain and Lauren Henning, and producer/director Amanda Sonnenschein talk about the genesis of the show and its unique tone and humor. From the show: The Game is an ensemble adventure-fantasy comedy series that follows a group of TTRPG players both IRL and as their fantasy counterparts in the supernatural realm as they embark on a daring and heartfelt journey towards understanding and acceptance of one another and, most importantly, of themselves. The show premieres Saturday, January 28, 2023 on YouTube. SHOW NOTES:
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In this session, we talk our writing goals for 2023, the latest news including the WGA prepping for contract negotiations, Twitch payout cuts, COVID in Hollywood, Moviepass’ resurrection, and more. SHOW NOTES:
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We’re tired of being tired of Franchise Fatigue, but it’s a serious issue. There is a steep downward curve in payback on subsequent entries and spin-offs/prequels etc., which is fueling a feedback circle of layoffs and cancellations in Hollywood. Why is this happening and what does it mean for writers? Listen as we try to find the answers. SHOW NOTES: None this episode
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Writer/Director Thomas Tulak, and Assistant Director/Composer Adam Pineless talk about “Who Dunt Dunt DUNNit?” their a hyper-meta, award-winning comedy film. It’s a hilarious murder mystery, wrapped in a murder mystery wrapped in a movie production about a murder mystery. SHOW NOTES:
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It’s been a rough few weeks across Hollywood at studios such as Warner Brothers, Cartoon Network, G4 and others. From layoffs to total shutdowns, we take a look at recent turmoil and how it might affect writers. SHOW NOTES:
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For some us, our biggest addictions are caffeine and endlessly scrolling TikTok videos, so, how do we write characters with more serious addictions? We talk to Ted Perkins, a former Warner Brothers and Universal studio executive, producer, screenwriter and now author who tackles the topic in his new book Addicted In Film, for which Ted watched 100 movies in 100 days about addiction. SHOW NOTES: About the Book: www.addictedinfilm.com Buy Addicted In Film on Amazon: https://tinyurl.com/addictedinfilm Ted Perkin’s Bio Ted Perkins is a former film executive at Warner Bros., and his most recent post as Head of International Co-Productions and Acquisitions at Universal Pictures where he pioneered co-production between U.S. Major studios, Spain, Latin America, China and India. He turned to screenwriting and has sold over a dozen scripts to various companies including Fox Searchlight and Lionsgate. He recently sold a TV series spec for low six figures, and has another one in development with a large production conglomerate in Europe.
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