After 8 years and over 200 episodes, we’ve decided to move on to other creative endeavors. The Writers Group Therapy podcast and website will stay online for at least a couple of years, should you need to revisit our content, or for any aspiring writers who may find our evergreen content and entertainment industry interviews helpful.
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In this session, we get in the game with David Stassen, Showrunner of Netflix’s hit sports themed comedy “Running Point” that stars Kate Hudson as the President of the LA Waves basketball team. David brings a history of sports television producing to the show, having worked as a producer on ESPN’s “Around the Horn” and “Rome is Burning”. David expanded his narrative experience joining “The Mindy Project” where he wrote, produced and directed. He’s also know for the Dwayne Johnson/Kevin Hart action comedy “Central Intelligence”
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We talk with award-winning playwright, screenwriter and author David Scott Hay about writing experimental speculative fiction and horror. From futuristic (“NSFW”) to literally biblical (the upcoming “The Butcher of Nazareth”), David has a unique perspective on the genre and writing. As a screenwriter, David wrote the screenplay for the 2006 film “Hard Scrambled” that won Best Drama Feature at the Garden State Film Festival.
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We talk with prolific fantasy romance author Nicolette Andrews about her writer’s journey, her inspirations, self publishing, marketing and live events. Nicolette is best known for twisty-turny romantic fantasy and angsty plots. When she’s not torturing her creations, she enjoys cooking, camping, and cozy videos games.
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In this session, we talk about what we’re working on, and how we got those writing gigs, and what to look out for when looking for and taking gigs.
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On this session, we have Randee Dawn, an author whose books and stories reflect her work as a journalist covering the music and entertainment industries. Her first novel was a pop-culture fantasy titled “Tune in Tomorrow” published in 2022 called a “wild ride” and “funny as hell” as it takes readers into a world of alternate reality TV. Her latest book “The Only Song Worth Singing” comes out in April and looks backstage at the music industry with a supernatural twist.
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Hollywood has always had gatekeepers, the people who say what films and shows get made. They have traditionally been the agents, talent/lit agencies and managers. Today, the go-it-alone filmmakers, streaming networks and social media content creator world have changed that dynamic. How are these changes manifested and what do they mean for writers?
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We look at the latest trends in the industry and what we think 2025 holds for writers.
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On this session of writers group therapy, we have Summer Shelton, many multi-hyphenate of the new drama film “You & I,” that she wrote, produced, edited and starred in. It is also her directorial debut. Summer has won many awards for her films and shorts and is the recipient of five fellowships including the Cannes Producing Fellowship and the Sundance Institutes Bingham ray Creative Producing Fellowship.
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Ask a dozen writers how to write and you’ll get twelve different takes. Language and style are not set in stone. Words change meaning, conventions get overwritten by conventional wisdom. How do you stay current with proper style, word usage and formatting guidelines? We discuss!
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