We’re tired of being tired of Franchise Fatigue, but it’s a serious issue. There is a steep downward curve in payback on subsequent entries and spin-offs/prequels etc., which is fueling a feedback circle of layoffs and cancellations in Hollywood. Why is this happening and what does it mean for writers? Listen as we try to find the answers. SHOW NOTES: None this episode
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Writer/Director Thomas Tulak, and Assistant Director/Composer Adam Pineless talk about “Who Dunt Dunt DUNNit?” their a hyper-meta, award-winning comedy film. It’s a hilarious murder mystery, wrapped in a murder mystery wrapped in a movie production about a murder mystery. SHOW NOTES:
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It’s been a rough few weeks across Hollywood at studios such as Warner Brothers, Cartoon Network, G4 and others. From layoffs to total shutdowns, we take a look at recent turmoil and how it might affect writers. SHOW NOTES:
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We get the scoop on Get It Made X, a script-to-screen program for writers to not only improve their writing, but also learn about marketing and production through group activities, meetings with industry professionals, and peer review opportunities. Co-founders Matt Boda and Sylvie Dang Boda talk about why they created the program and how it helps writers get their work made.
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As writers, we struggle to get our work written, sold, and produced our whole careers. What we don’t hardly ever think about is, what happens after we’re gone? Our writing doesn’t stop being valuable, but who is going to take over managing it and, hopefully, continue to reap the benefits of our creativity for the length of our copyright? We discuss this with best-selling novelists Matt Buchman, writer of “Estate Planning for Writers” based on his own experiences.
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The doctors (not real doctors) are in, again. We’re back from our Summer break and kicking off our 6th year with a look at all the recent stories in the news that impact Hollywood and writers including Roe v. Wade, inflation and supply chain woes, YouTube TV, CA Tax incentives, and more.
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Are the broadcast networks just going through the motions this pilot season? With each having its own streamer, are we seeing the last days of the traditional pilot season? What does this mean for writers? And Tom remembers the days of Saturday morning cartoon pilot season.
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Getting in, staying in and consuming entertainment all take a certain amount of resources. We discuss how to prioritize where you put your time, money and heart into the entertainment industry, both as an artist and as a consumer.
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Amazon has closed its deal to by MGM that it announced in May 2021. How will the purchase of the 98 year old studio impact Amazon Prime, Hollywood, consumers and, of course, writers.
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In this session, we talk with Lauryn Kahn, the screenwriter of “Fresh,” the new indie thriller starring Daisy Edgar-Jones and Sebastian Stan that took Sundance by storm. The film, produced by Adam McKay (“The Other Guys,” “Step Brothers”) and Searchlight Pictures, was acquired by Hulu. SPOILER ALERT! This interview contains pretty much all the big spoilers. So go watch the movie first on Hulu.
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