What makes a good plot twist? We all love being blown away by a being thrown an awesome curveball in movies and shows. In today’s session we discuss what makes them work, and what doesn’t.
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What makes a good plot twist? We all love being blown away by a being thrown an awesome curveball in movies and shows. In today’s session we discuss what makes them work, and what doesn’t.
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In our session today, we discuss the how and why of creating diverse characters and stories in your scripts, avoiding stereotypes, and how diverse shows and movies have changed over time.
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Screenwriting isn’t the solitary endeavor people often think it is. It takes a team. In Session 42, we discuss who you need on your team, when to bring them on and where you might find them.
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You’ve made it to THE END of your first draft. Congrats! Now what? In Session #41, we delve into the art of the rewrite.
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You’ve finished your masterpiece! Now what? Chances are, you’re going to need a query letter to submit your script anywhere. So what is a query letter and what do you put in it?
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There are no new ideas, it’s been said. So how do you come up with original stories? One way, study the prototypes for your story ideas.
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How do you keep on track? Achieve your goals? Meet your deadlines? What motivates you? In this session of Writers Group Therapy we talk about Accountability.
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In session #33, we discuss how adaptations get it right and wrong, examples of each and or our favorites, and whether it is better to read the book before or after watching an adaptation.
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Is your script serialized or procedural? What? It’s a sitcom! Since when are sitcom’s categorized as either of those? We debate how you categorize your work, whatever genre, in this week’s session of Writers Group Therapy.
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How do you find time to write? As aspiring screenwriters, we always struggle to find time to focus on our writing projects. It’s a skill and we discuss our best ideas for how to make writing a priority to keep you moving forward.
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