Making the trek to Nerdvana in San Diego, also known as Comic-Con? Or any of the other hundreds of cons around the world? We discuss, as a writer, how to make the most of your time at whatever con you’re attending.
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Making the trek to Nerdvana in San Diego, also known as Comic-Con? Or any of the other hundreds of cons around the world? We discuss, as a writer, how to make the most of your time at whatever con you’re attending.
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You wouldn’t write a brilliant screenplay or TV pilot and then just give it away, would you? We discuss protecting your rights as a writer in this session of Writers Group Therapy, and look at how to protect your work when you submit it to agents, managers, contests and fellowships.
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Screenwriting isn’t the solitary endeavor people often think it is. It takes a team. In Session 42, we discuss who you need on your team, when to bring them on and where you might find them.
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You’ve finished your masterpiece! Now what? Chances are, you’re going to need a query letter to submit your script anywhere. So what is a query letter and what do you put in it?
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There are no new ideas, it’s been said. So how do you come up with original stories? One way, study the prototypes for your story ideas.
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“You have to go to LA,” is what “they” say if you want to get into the screenwriting business. But do you? We debate in session #38.
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The multi-talented Sarah J Eagen, a writer/actor in Los Angeles, who also has a degree in neuroscience, is our guest in this session of Writers Group Therapy. Sarah scored an 8 on the Blacklist with one of her scripts and she is currently working with the showrunner of a new CW show.
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How do you keep on track? Achieve your goals? Meet your deadlines? What motivates you? In this session of Writers Group Therapy we talk about Accountability.
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It’s the end of the world! Complimenting last week’s session on adaptaions, in this week’s session we discuss the recent hit sci-fi film “Annihilation.” SPOILER ALERT – we discuss major plot points and the ending.
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In session #33, we discuss how adaptations get it right and wrong, examples of each and or our favorites, and whether it is better to read the book before or after watching an adaptation.
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