Who owns the characters, worlds and stories you create? This session looks into what is a “word for hire,” and what it means to your creative future.
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Who owns the characters, worlds and stories you create? This session looks into what is a “word for hire,” and what it means to your creative future.
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In this week’s session, we talk with Kari Nissena, an actor, producer and transformation coach on how we writers can improve our image on IMDB.
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It’s a blockbuster (not the failed movie rental chain) showdown in today’s session as we compare two sense-based horror films from a writer’s perspective. It’s Bird Box vs. A Quiet Place.
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We welcome Steve Spalding to our group session this week. Steve is a writer and producer from Florida whose TV pilot, “The Many Lives of Ann Winters,” was one of five winning pilots in the Playstation Emerging Filmmaker Program
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Here’s the official February Page-A-Day Challenge List!
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As a writer, at some point, we have to put “THE END” on our writing process before we share it with agents, managers, producers, etc. So, when is your script finished?
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Session #70 – Interview with Writer/Producer/Director Stephen Kogon about his film “Dance Baby Dance”
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Getting notes on your projects can be a harrowing experience. How you give them is just as important. In today’s session, we discuss how to deal with notes from both sides.
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You’ve dashed your parents’ hopes and decided you want to be a screenwriter. We often get asked questions from people who, not too far in the distant past, we were: The Newbie Screenwriter.
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In today’s session, we share with you some of the podcasts and YouTube channels we listen to and watch, and recommend, as writers to navigate our careers and improve our skills.
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