In this session we discuss the priorities discuss by the WGA’s negotiating committee as reported in The Hollywood Reporter. SHOW NOTES:
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In this session we discuss the priorities discuss by the WGA’s negotiating committee as reported in The Hollywood Reporter. SHOW NOTES:
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In this session, we talk our writing goals for 2023, the latest news including the WGA prepping for contract negotiations, Twitch payout cuts, COVID in Hollywood, Moviepass’ resurrection, and more. SHOW NOTES:
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Writer/Director Thomas Tulak, and Assistant Director/Composer Adam Pineless talk about “Who Dunt Dunt DUNNit?” their a hyper-meta, award-winning comedy film. It’s a hilarious murder mystery, wrapped in a murder mystery wrapped in a movie production about a murder mystery. SHOW NOTES:
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For some us, our biggest addictions are caffeine and endlessly scrolling TikTok videos, so, how do we write characters with more serious addictions? We talk to Ted Perkins, a former Warner Brothers and Universal studio executive, producer, screenwriter and now author who tackles the topic in his new book Addicted In Film, for which Ted watched 100 movies in 100 days about addiction.
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Nicholas Bruckman has produced and directed award-winning features, commercials and web-content for groups such as Greenpeace, Black Lives Matter and TED. His films have screened at Tribeca, Sundance, and SXSW where it won the Audience Award. His latest film “Not Going Quietly” is now streaming on Hulu. We talk storytelling in documentary formats, journalistic objectivity and more.
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Our own Rachanee Lumayno takes the hot seat to discuss the release of “Heir of Memory & Shadow” Book #2 of the Kingdom Legacy YA Fantasy series. We discuss was it like writing a second book in a series, self-publishing and marketing the books and what’s next in the Kingdom.
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David Bergantino shares his 30 years of interactive storytelling with companies like Disney and Nickelodeon. David’s company, Cold Room Entertainment, recently released “Dying Light 2.” David is also a novelist with 11 novels, including the novelization of Wes Craven’s “New Nightmare.”
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Paul Kalburgi is a British screenwriter, playwright and TV producer, as well as author and podcast host of the book and podcast The Writer’s Toolkit. He discusses his journey as a writer, his process and the tools he uses in his craft.
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This session, we have the multitalented Ken Atchity, a best-selling author, producer, literary manger, professor and editor who aptly goes by the moniker The Story Merchant. He got his B.A. at Georgetown, his Ph.D. at Yale. He was a tenured professor of comparative literature at Occidental College and a distinguished instructor at UCLA Writers program. He’s worked in publishing and filmmaking and is a member of the TV Academy of Arts and Sciences as well as the Producer’s Guild.
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With shorter and shorter seasons, accelerated by streamers with big budget, high-quality event shows, has the era of 24 episode season containing the inevitable filler episode come to an end? And how would this change impact writers?
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